Monthly Residency Trap Music Orchestra
The Jazz Gallery1160 Broadway, New York 10001
Ryan Easter’s Trap Music Orchestra continues its monthly residency at The Jazz Gallery. The orchestra brings trap music’s modern hip-hop vocabulary into an orchestral jazz setting, drawing on the aural lineage of Black diasporic music. Its approach has been described through the large-ensemble language associated with Duke Ellington, Count Basie and Charles Mingus, rather than as a conventional trap set. The group’s repertoire also makes room for references reaching from disco and Panamanian folk music to Debussy and Earth, Wind, & Fire.
The available material identifies this as Ryan Easter’s Trap Music Orchestra, though it does not firmly establish the ensemble’s home city. Easter is described in one source as being from Richmond, Virginia; another labels the project “Hip Hop | Boston, MA,” without confirming where the orchestra is based. A venue roster presents the band as a substantial ensemble with conductor, brass, reeds, guitar, bass, drums, keys and vocals. Time Out characterizes the project as reimagining trap and hip-hop “through the traditions of orchestral jazz,” and neatly sums up the proposition as “Trap meets jazz (and a whole lot of orchestral muscle).”
The Jazz Gallery offers a focused listening room experience on the fifth floor of a Midtown office building, where the audience gathers to hear progressive jazz performed by emerging and established artists. The space is designed to highlight the music without distractions: seating is arranged to bring listeners close to the performers, fostering a direct connection with the sound. There is no food service, but a bar is available, and ticket prices are modest, encouraging accessibility. Shows typically run from 7 to 11 pm on select nights, featuring multiple sets that invite deep engagement rather than casual socializing. The venue’s commitment to artistic growth is evident in its support for new compositions and collaborations, making an evening here a chance to witness jazz as a living, evolving art form in a setting that respects both the musicians and the audience.